One of the central questions of modern and contemporary philosophy is “What exists?” Do I exist? Does the material world exist? Does the soul exist? Do universals exist? Do numbers exist? Does God exist? Ancient and medieval philosophy, however, was not very concerned with these sorts of questions. Although these sorts of questions were raised and discussed on occasion, the Platonic and Aristotelian outlooks that dominated ancient and medieval philosophy in the West generally granted existence (or more precisely, being) to anything about which true and false statements could be made. The questions with which ancient and medieval philosophy were most concerned were not questions of existence, but rather questions of grounding, of which beings were more fundamental, and on what it means to be a being.1 In this essay, I want to reflect on one facet of this basic difference in orientation between modern and pre-modern notions of reality. I want to focus on the difference in the way that the ancients and medievals, on the one hand, and us moderns, on the other, tend to think about what it means for something “to exist” or “to be.” While I will mainly talk about how “existence” or “being” is employed in the philosophical thinking typical of the pre-modern and modern West, I think reflecting on these issues will help us better understand key differences between pre-modern and modern worldviews in general.
Tag: Semantics
Happiness: A Brief Contrast
Eric G. Wilson’s little volume, Against Happiness, is a good introduction to the subject,1 except I would argue it isn’t about happiness. Or if it is, it’s about a superficial and degenerate form of it. What is today called happiness would have in premodern times been referred to as a kind of joy–a form of psychological satisfaction or pleasure.2 In the first book of The Histories, Herodotus tells of Solon’s answer to Croesus upon being asked who the happiest man in the world is. Croesus, the famously wealthy king of Lydia, fancies himself the man. But Solon names three unknown men–Tellus, Cleobis, and Biton–all of whom are dead.3 The question of how the dead may be happier than the living–and Solon is not attributing their happiness to one enjoyed in an afterlife–is one which highlights the major difference between modern and premodern–especially ancient–views of happiness. To be sure, one cannot do justice to the subject in the form of a short essay, however accurate. It is thus my purpose here to confine myself only to the major differences in the concept of happiness between the understandings of the ancient world, and that of the contemporary modern world.
Continue reading “Happiness: A Brief Contrast”Human Life as Enacted Narrative
We both reveal ourselves to, and encounter others, through action–through words and deeds. An important aspect of human action that has not yet been considered is its historic character. By historic I do not necessarily mean important, but enduring, permanent. What one does, echoes in eternity–not in the sense of the eschatological, though that may prove true–but in that of the final; once something is done, it cannot be undone. To wrong another person is to do something that cannot be erased;1 so too to be kind, or just. But considerations of merit aside, I refer also to those actions which may be considered the most insignificant just as much as those which may be pivotal to the narrative arc of one’s life. What emerges within the movement of a given life–built up from one’s words and deeds through time–is a kind of enacted narrative, a life story. And it is through bringing unity to the narrative of one’s life which partly answers the question: “What is the good life for man?”2
Continue reading “Human Life as Enacted Narrative”A General Overview
The modern contemporary world has its own characteristic understandings, paradigms,1 and circumstances. We think in terms of the ideas that modernity has thrust upon us, and most of us have no choice in the matter because we do so without knowing it. The ideas and ways of understanding the world and ourselves that are unique to our time in the West is what I call “the modern frame”.
Continue reading “A General Overview”