While the previous essays1 laid the foundation and began exploring some of the architecture of what I have called cultural existentialism, at this point the following can be offered as a working definition: Cultural existentialism is the phenomenon that views the individual as entirely free and unencumbered–by history, family, community, tradition, inherited ideas, et al.–and, therefore, free to live and define themselves as they see fit; the sole author of their life.2 In this essay, I want to explore some of the more outward forms of cultural existentialism, as well as its relation to what I have called the instrumental stance. In so doing, I hope to shed some light on the question of the more recent origins of this phenomenon. Again, my focus will remain on America.
Continue reading “Cultural Existentialism: Instances and Instrumentality”Month: August 2020
Cultural Existentialism: The Absurdity of American Individualism
In the previous essay I hoped to make clear the connection between the phenomenon of cultural existentialism with that of its formal counterpart–the philosophy of Existentialism. Again, I believe the connection between them is one of similarity rather than direct causality, and that the primary difference between the two is merely the extent to which they are articulated. Still, the average person is not a philosopher–let alone Sartre–so in many ways the accusation that cultural existentialism is widely embodied but not articulated is unfair. For a more common view of cultural existentialism, I would like to turn to the excellent work of the sociologist Robert Bellah, and some of his colleagues, such as Richard Madsen, William M. Sullivan, Ann Swindler, and Steven M. Tipton.1 Much of their research, findings, and collaboration on American culture from the early 1980s will help color the outline I have sketched thus far.
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