While the previous essays1 laid the foundation and began exploring some of the architecture of what I have called cultural existentialism, at this point the following can be offered as a working definition: Cultural existentialism is the phenomenon that views the individual as entirely free and unencumbered–by history, family, community, tradition, inherited ideas, et al.–and, therefore, free to live and define themselves as they see fit; the sole author of their life.2 In this essay, I want to explore some of the more outward forms of cultural existentialism, as well as its relation to what I have called the instrumental stance. In so doing, I hope to shed some light on the question of the more recent origins of this phenomenon. Again, my focus will remain on America.
Continue reading “Cultural Existentialism: Instances and Instrumentality”